Eighteenth Annual Carolina Conference on Romance Literatures

Transcripción

1

2 Eighteenth Annual Carolina Conference on Romance Literatures Conference Coordinators Adrianna Beaman, Brandon Essary, Maria Fellie Special recognition is given to the following for their assistance and support: Dr. Larry King and the Department of Romance Languages, The Graduate Romance Association, Claire Goldstein, Lori Saint-Martin, Roberto Dainotto, Christopher Maurer, Student Congress, the Graduate School, Graduate and Professional Student Federation, Institute for the Arts & Humanities, The Coccia Foundation, Latina/o Studies, Institute for the Study of the Americas, Medieval & Early Modern Studies, College of Arts and Sciences, African Studies, Office of Undergraduate Research, & the Ackland Art Museum, and the Center for Faculty Excellence. Thank you to the following individuals and organizations for their help: Mary Jones, Tom Smither, Sheena Melton, Simona Peppers, Dr. Larry King, Dr. Frank Domínguez, Dr. Rosa Perelmuter, Dr. Emilio del Valle le Escalante, Dr. Samuel Amago, Dr. Dino Cervigni, Dr. Richard Vernon, Mercédès Baillargeon, Tessa Gurney, Anca Koczkas, Stella Kim, Lorenzo Salvagni, Anne Steinberg, Britton Newman, and Julián Díez. We would also like to thank panel organizers and chairs, the participants, and the graduate students and faculty of the Department of Romance Languages and Literatures who volunteered to help when it was needed CCRL poster design by Tessa Gurney.

3 Thursday, March 22, :00 am - 10:00 am Continental Breakfast Student Union :00 am - 3:45 pm Registration Student Union :30 am - 9:00 am Thursday, March 22, 2012 Welcome and Introduction to the CCRL by Dr. Larry King, Chair of the Department of Romance Languages and Literatures Student Union :00 am - 10:30 am 1. Discursos coloniales y postcoloniales en Perú Chair: Julián Díez Torres, The University of North Carolina at Chapel Hill Student Union 3203 Mario Cossío Olavide, University of Notre Dame Poéticas del discurso criollo del XVII: la palabra de Juan del Valle y Caviedes Wanda O. Naranjo, University of Alabama El poder de las imágenes: influencia del Imitatio Christi y las alegorías visuales en el imaginario colonial y el discurso criollo latinoamericano en los siglos XVII y XVIII Jhonn Guerra Banda, Universidad Nacional Mayor de San Marcos, Lima, Perú Un nuevo espacio para lo profano y lo sagrado en la novela El zorro de arriba y el zorro de abajo de José María Arguedas

4 Thursday, March 22, Espejos mexicanos entre pasado y presente: lenguaje, memoria, y ambigüedad Chair: Anca Koczkas, The University of North Carolina at Chapel Hill Student Union 3205 Jeff Birdsong, St. Andrews University Seeing Past, Seeing Present in Pacheco s Desde entonces Kay Ziemer, Winthrop University No hay cortinas en las ventanas de la tumba: ambigüedades y simbolismo en Pedro Páramo Bonnie Loder, Pennsylvania State University Madness in Elena Garro s Los recuerdos del porvenir 10:45 am - 12:15 pm 3. Horrific Sites and Monsters in Hispanic Cinema and Literature Chair: Abel Muñoz Hermoso, The University of North Carolina at Chapel Hill Student Union 3203 Sam Krieg, The University of North Carolina at Chapel Hill El terror de lo real en [Rec] Timothy Reed, Ripon College Confronting Monsters: Hauntology and Defiance in Guillermo del Toro s El laberinto del fauno (2006) Jonathan Risner, The University of North Carolina at Chapel Hill Foundational Horrors: Horror Para-sites in Nineteenth-Century Argentine Literature 4. Castilian Visual Inventories: Medieval Wars, Maidens, and Mathematics Chair: Frank Domínguez, The University of North Carolina at Chapel Hill Student Union 3205 Sherry Venere, The University of North Carolina at Chapel Hill Despair and Bereavement in Gómez Manrique s El planto de las Virtudes e Poesýa (1459) Brian Wilbur, The University of North Carolina at Chapel Hill Game Theory in Don Juan Manuel s El Conde Lucanor: Visualizing Medieval Choice Michael Weinberg, University of California at Los Angeles Sight and Sound: A Trilogy of Troubadour Songs to Move a King to War

5 Thursday, March 22, Contemporary Urban Symbols: Modern and Postmodern Images in Spain and the Mexico-U.S. Border Chair: Stella Kim, The University of North Carolina at Chapel Hill Student Union 3206B Britta Anderson, Washington University in St. Louis La imagen hecha carne: la Virgen de Guadalupe resignificada a través de los tatuajes Olga Sendra Ferrer, Swarthmore College Building the Barcelona of the Future 6. Cervantes across the Centuries: Visuality, Perception, and the Gaze Chair: William Maisch, The University of North Carolina at Chapel Hill Student Union 3209 Scott Youngdahl, Virginia Military Institute Perspective, Perception and Play: Integral Components of the Defeat of Determinism in Rinconete y Cortadillo Ricardo Castells, Florida International University Cervantes, Film Noire, and El amante liberal Sharon E. Knight, Presbyterian College Visualizing Cervantes and Heliodorus: Snapshots of the Spectacle Tatevik Gyulamiryan, Purdue University La imagen de Don Quijote, su percepción y re-acentuación 7. Reading Female Desire in the Age of French Modernity and Beyond Chair: William Allen, Furman University Student Union 3209 Maury Bruhn, The University of North Carolina at Chapel Hill Rewriting Motherhood in Thérèse Philosophe William Allen, Furman University Through the Eye to the Heart: A Visual Seduction in Némirovsky s Les Chiens et les Loups Katherine Karcher, The University of North Carolina at Chapel Hill Marguerite Duras and the Sea

6 Thursday, March 22, Jorge Carrigan presenta su novela Muñequita linda (2011) *Book presentation & signing (books available for purchase) Chair: Jorge Carrigan, Author Student Union 3515 Rita Martín, Radford University Jorge Carrigan, Author 12:30 pm - 2:00 pm Lunch Break 2:00 pm - 3:30 pm 9. Visualizing Immigration and Power in Contemporary Italy Chair: Ennio Rao, The University of North Carolina at Chapel Hill Student Union 3515 Lucy Emerson, The University of North Carolina at Chapel Hill Representation versus Reality: Chinese Immigrants in Gomorra and in Italy Today Adriana Cerami, The University of North Carolina at Chapel Hill Renditions of Power in the Montalbano Novels 10. Identidad cubana decimonónica Chair: Rita Martín, Radford University Student Union 3203 Aida Medina, University of Alabama María Luisa Milanés: Construcción del Nocturno en la obra de una poeta suicida Jason Osborne, The University of North Carolina at Charlotte Raza, identidad y depresión: un análisis antropológico de la Autobiografía de Juan Manzano

7 Thursday, March 22, Images of the Arab Woman in Medieval & Golden Age Narrative Chair: Alan Redick, The University of North Carolina at Chapel Hill Student Union 3205 Robert Noffsinger, The University of North Carolina at Chapel Hill The Presentation of the Muslim Woman in Hadith Bayad wa Riyad Crystal Chemel, The University of North Carolina at Charlotte Disguise as Freedom and Empowerment in María de Zayas A Slave to Her Own Lover 12. Food, Feminism, and Politics in Contemporary Hispanic Texts Chair: María Salgado, The University of North Carolina at Chapel Hill Student Union 3206A Elizabeth Huard, Florida State University Emotional Tastes: Affect, Politics and Food in Manuel Gutiérrez Aragón s La mitad del cielo Julie Warner, The University of North Carolina at Chapel Hill Cook Books: Re-appropriating Gender Norms in Women s Literature through Culinary Metaphor 13. Cernuda s Poetry in Words & Images: Transatlantic & Transmedia Readings Chair: Cecelia J. Cavanaugh, Chestnut Hill College Student Union 3206B G. Sean McNeal, Eastern Illinois University The Epiphanic Mode in Luis Cernuda s Lázaro, Quetzalcoatl and Luis de Baviera escucha Lohengrin Nilofar Burke, George Mason University En el laberinto de soledad, vivir entre la realidad y la ficción: un estudio comparativo de la poesía de Luis Cernuda y la película El laberinto del fauno Enrique Álvarez, Florida State University The Affective Gaze: Cernuda s Mexico

8 Thursday, March 22, Transgressing Reality: The Changing Face of Modern Art and Literature Chair: TBD, The University of North Carolina at Chapel Hill Student Union 3503 Geneviève Waite, City University of New York Provocative, Perturbed, and Addictive: Surrealism as Vice and Image in Louis Aragon s Paris Peasant Marta Nuñez, The University of North Carolina at Chapel Hill The Prestige of Unoriginality: Marcel Duchamp s Readymades and Andy Warhol s Signature Aline Skrzeszewski, University of Cincinnati Littérature française du XXIème siècle: Ecriture d un mal-être? 3:45 pm - 5:15 pm 15. Fortune and Industria in Early Modern Italian Literature Chair: Michele Sguerri, The University of North Carolina at Chapel Hill Student Union 3203 Michele Sguerri, The University of North Carolina at Chapel Hill The Second Day of the Decameron: the Role of Fortune Reconsidered Danila Cannamela, The University of North Carolina at Chapel Hill La Terza Giornata del Decameron: l Eden Terreno Dell Industria Matteo Gilebbi, Duke University De Simulacris Fortunae. Confluenze di aspetti e rappresentazioni della Fortuna in Orbecche di Giraldi Cinzio 16. Rethinking the Study Abroad Experience Chair: Glynis Cowell, The University of North Carolina at Chapel Hill Student Union 3205 Leticia I. Romo, Towson University Safety vs. Total Immersion: The Current Dilemma of Study Abroad Programs Britton W. Newman, The University of North Carolina at Chapel Hill Little Minds Big Worlds: Using Study Abroad and Internet Technology to Connect Elementary Classrooms at Home and Abroad Patricia Sagasti Suppes, Ferrum College Ethical Issues in Service Learning Abroad

9 Thursday, March 22, Binaries, Spaces, and Perspectives in Contemporary Latin American Novels Chair: Hosun Kim, The University of North Carolina at Chapel Hill Student Union 3206B Jonathan Montalvo, Western Michigan University La actitud binaria de Tacho respecto a un estereotipo gay en Rumbo al hermoso norte de Luis Alberto Urrea Patricia Reagan, Randolph-Macon College Overturning the Image: A New Perspective of the Inferno in José Donoso s El lugar sin límites Katherine Karr-Cornejo, Hampden-Sydney College Architectural Perspective on El sueño de la historia: Joaquín Toesca and La Moneda 18. Visualizing the Humanities: From Gnovis to Guru? *A Special Presentation Chair: Lucia Binotti, The University of North Carolina at Chapel Hill Student Union 3206A Whitney Winters, The University of North Carolina at Chapel Hill Brian Wilbur, The University of North Carolina at Chapel Hill Hélène de Fays, The University of North Carolina at Chapel Hill Chris Smith, North Carolina State University Armando Suárez, The University of North Carolina at Chapel Hill Emily Clark, The University of North Carolina at Chapel Hill Laurel Foote-Hudson, The University of North Carolina at Chapel Hill 19. Twenty-first-century Hispanic Cinema: Metropolis, Periphery, Economics Chair: Cristina Carrasco, The University of North Carolina at Chapel Hill Student Union 3209 Erja Vettenranta, City University of New York Algo huele a podrido en esta casa : el espacio urbano en La comunidad de Álex de la Iglesia

10 Thursday, March 22, 2012 Jason E. Klodt, University of Mississippi Narcissism, Affluence, and the Economics of Young Adulthood in Recent Spanish Cinema Francisco Brignole, The University of North Carolina at Chapel Hill Reclaiming the Cinematic: From Cinematic Excess to Cinematic Essence in Lisandro Alonso s Liverpool 20. From the Parisian Salon to the Islands: Blurring Subject/Object Dialectic in Representations of Women Chair: Lori Knox, Coastal Carolina University Student Union 3503 Lori Knox, Coastal Carolina University In Black and White: The Battle for Subjectivity in Madame de Villedieu s Anaxandre Andrew Gard, The University of North Carolina at Chapel Hill Elle monte sur les planches: Women revealed in the images of l Encyclopédie Jana Blach, West Virginia University La femme tahitienne visualisée par Paul Gauguin et Pierre Loti 5:30 pm - 6:00 pm Toy Lounge, Dey Hall Refreshments 6:00 pm - 7:00 pm Toy Lounge, Dey Hall 21. Keynote Address: Visual Reading and Its Failures: The Comet of 1680 Speaker: Claire Goldstein

11 Thursday, March 22, :00 pm - 8:30 pm John Lindsey Morehead II Lounge, Graham Memorial Building Welcome Soirée and Piano Performance by Lorenzo Salvagni Lorenzo Salvagni is a graduate teaching fellow in the department of Italian Studies at UNC-Chapel Hill and a lecturing fellow in Italian at Duke University in Durham. When he is not teaching or working on his dissertation, he likes to make music. Lorenzo plays piano and organ; he holds a Master of Music degree in collaborative piano from the Cleveland Institute of Music. He enjoys creating innovative approaches to teach Italian language and literature through music. In the fall, Lorenzo taught a seminar titled Italian through Opera here at UNC; this spring he is teaching a literature class at Duke by the title of Arie, Romanze, Canzoni: Music and Literature in Italy. If you want to know more, drop him a line: salvagni@ .unc.edu

12 Friday, March 23, 2012 Friday, March 23, :00 am - 10:00 am Continental Breakfast Student Union :00 am - 3:45 pm Registration Student Union :00 am - 10:30 am 22. Desperate Housewives and the Ubiquitous beffa in Decameron Seven, Eight and Nine Chair: Barbara Zaczek, Clemson University Student Union 3203 Kate Greenburg, The University of North Carolina at Chapel Hill Casalinghe disperate : Decameron VII e le beffe delle donne April Weintritt, The University of North Carolina at Chapel Hill L Ottava Giornata del Decameron: L universalizzazione della Beffa Anna Melillo & Kaitlin Johnson, The University of North Carolina at Chapel Hill Decameron Day Nine: The Beffa Continued 23. Masculinity, Melodrama, and History in Mexican Cinema Chair: Samuel Amago, The University of North Carolina at Chapel Hill Student Union 3205 Anne E. Hardcastle, Wake Forest University Objects of Desire: Film Gaze, the Luises and the Politics of Looking in Los tres García Stephen R. Langford, Wake Forest University Comunicando con el público: el desarrollo del melodrama desde Nosotros los pobres hasta Amores perros

13 Friday, March 23, 2012 Brian Price, Wake Forest University Bicentennial Blockbusters: Mexico s Historical Imagination Goes to the Movies 24. Indigenous Performance and Poetics in Movement in the Andes & Mesoamerica Chair: Emilio del Valle Escalante, The University of North Carolina at Chapel Hill Student Union 3206A Andrea Echeverría, Georgetown University Retratos y autorretratos migrantes en la poesía de Gloria Mendoza Daniel Castelblanco, Georgetown University Leonel Lienlaf y el musgo sagrado de la poesía: aproximación etnobotánica a la poesía indígena contemporánea Matthew Tremé, Princeton University The Resignification of Masked Performance in the New Popular Latin American Theater 25. Perspectives of Self, Text and Image in Twentieth-century Peninsular Literature Chair: Keith Schaefer, The University of North Carolina at Chapel Hill Student Union 3209 Linda Bartlett, Furman University From Text to Image: Facebook, Miguel de Unamuno, and the Literature Classroom Lourdes Manyé, Furman University Momentos de iluminación: de la pintura a la escritura en cuentos de Manuel Rivas Maria R. Rippon, Furman University Perspectives of Faith and Nihilism in Carmen Laforet and Mercedes Salisachs 26. El acto de mirar y sus implicaciones literarias: fotografía, mujer, dominación Chair: Maria Pao, Illinois State University Student Union 3503 María Milán, City University of New York Perspectivas múltiples en Los dos retratos de Nora Lange

14 Friday, March 23, 2012 Javier Sampedro, University of Pennsylvania La irreverencia de la imagen en Virgilio Piñera: más allá del lenguaje del absurdo Elda J. Stanco, Roanoke College De bares, enanos y Toulouse-Lautrec: Perspectivas clandestinas en Mi pequeño mundo de Stefania Mosca 27. Visualizing Spaces: Landscape and Exoticism in Francophone Studies Chair: Martha Van der Drift, The University of North Carolina at Chapel Hill Student Union 2306B Marianne Bessy, Furman University Les cartes géographiques dans l œuvre alexakienne : une appropriation visuelle et textuelle de l espace Luciano Picanço, Bluefield State College Imprinted Behaviors: Landscape Writing in Patrick Chamoiseau s Work Lucia Florido, University of Tennessee at Martin Tahiti in literature: more than what meets the eyes 10:45 am - 12:15 pm 28. Questions of Visuality in the Contemporary Spanish Cinema Chair: Anne Hardcastle, Wake Forest University Student Union 3203 Paul Begin, Pepperdine University Alejandro González Iñárritu s Biutiful (2010): A Critique of Globalized Human Trafficking, or the Triumph of Style over Substance? Matthew J. Marr, Pennsylvania State University Digital Encounters in Pedro Almodóvar s Los abrazos rotos (2009) Samuel Amago, The University of North Carolina at Chapel Hill Charting Spain in the Global Cinemascape

15 Friday, March 23, Medieval & Golden Age Texts from Inside the Prison, the Convent, & the Law Chair: Josefa Lindquist, The University of North Carolina at Chapel Hill Student Union 3205 María Dolores Bollo-Panadero, Colby College La visualización alegórica del embate razón pasión en Cárcel de amor Joaquín Rodríguez-Barberá, Sam Houston State University El aspecto crítico de Quevedo Anne-Shirley Abell, The University of North Carolina at Chapel Hill Mysticism, Mariology and the Mouth: An Analysis of Santa Juana de la Cruz s El Conhorte Whitney Winters, The University of North Carolina at Chapel Hill Choosing Damnation: Suicides and Heretics in Alfonso X s Las siete partidas 30. Visualizing Colonial Mexico in the Twenty-first Century Chairs: Oswaldo Estrada, The University of North Carolina at Chapel Hill Anna Nogar, University of New Mexico Student Union 3206A Irma Cantú, Texas A&M International University Marketing Malinche: Global Strategies by Laura Esquivel Cristina Carrasco, The University of North Carolina at Chapel Hill Reverse Colonial Otherness in Inma Chacón s La princesa india Tamara Williams, Pacific Lutheran University Imaging Absence: The Poetics of Silence in Luis Felipe Fabre s La sodomía de la Nueva España Ilana Luna, Hampden-Sydney College También la lluvia: Decolonial Praxis and the Question of National Cinema 31. Coming of Age: Illustrations, Symbols, and Language across Hispanic Texts Chair: Elda Stanco, Roanoke College Student Union 3206B Maria T. Pao, Illinois State University The St. George Legend in Primera memoria

16 Friday, March 23, 2012 Mari Pino del Rosario, Greensboro College Textos e imágenes en la literatura española para el público juvenil de entre siglos: XIX - XX Viridiana García Hernández, Western Michigan University El inglés como lengua dominante vs. el español como lengua dominada en Cómo las chicas García perdieron el acento de Julia Álvarez 32. Reconfiguring Urban Spaces in Modern and Postmodern French Media and Print Culture Chair: Sarah Peterson, The University of North Carolina at Chapel Hill Student Union 3209 Patrick Gamsby, Laurentian University Opening the Pages of Modernity: Henri Lefebvre, Spatial Dialectics, and the Social Text Stephen Steele, Simon Fraser University Choses vues dans les boutiques parisiennes de 1925, avec Pierre Mac Orlan Alexandra Natoli, University of Virginia A Tale of Two Cities: Reading Rome and Romeo in A bout de souffle s Paris John Littlejohn, Coastal Carolina University Creating Space: Tom Tykwer s Run Lola Run and the Legacy of Jean-Luc Godard and Krzysztof Kieślowski 33. El cuento hispanoamericano: tiempo, realidad y lenguaje Chair: Martín Sueldo, The University of North Carolina at Chapel Hill Student Union 3503 Eunice Rojas, Lynchburg College Visiones y revisiones del tiempo imaginario: intentando Volver a El milagro secreto Kern Lunsford, Lynchburg College Ostranenie: La desfamiliarización de la realidad en Las babas del diablo y en El otro Narciso de Julio Cortázar Gabriela Powers, Brigham Young University El lenguaje de la mujer latinoamericana en los cuentos Emma Zunz de Jorge Luis Borges, La mujer de Juan Bosch y El árbol de María Luisa Bombal

17 Friday, March 23, :30 pm - 2:00 pm Lunch Break 2:00 pm - 3:30 pm 34. Dreams, Lingering, and Allegory: Images from Dante Chair: Dino Cervigni, The University of North Carolina at Chapel Hill Student Union 3206B Matthew Liberti, Indiana University Oh frate, andar in su che porta? : Belacqua s Authority and the Necessity of Lingering in Purgatorio IV Joseph Perna, New York University Dream, Rubric, Icon, Screen: Sight and Spectatorship in the Vita nuova Emiliano Guaraldo, University of Virginia L inferno della Milano Films: Tra adattamento visivo e rivoluzione narrativa 35. El arte y la sociedad en Cuba *With Invited Panelist Rafael Rojas Chair: Britton W. Newman, The University of North Carolina at Chapel Hill Student Union 3206A Rafael Rojas, Centro de Investigación y Docencia Económicas (CIDE), México D.F. Revolución, guerra civil y literatura en Cuba ( ) Linda Howe, Wake Forest University Contemporary Cuban Cultural Production and Virgilio Piñera s Los Siervos Clementina Adams, Clemson University Crítica sociopolítica y conciencia cultural en la obra Histórico-Romántica El Harén de Oviedo de la cubana, Marta Rojas 36. Visual Elements in Twentieth-century Spanish Texts: Modernism in the Eye of the Creator Chair: Matthew J. Marr, Pennsylvania State University Student Union 3209 María Victoria Sánchez Samblás, Columbia College, SC Entre el quijotismo y el pragmatismo: Los argonautas de Vicente Blasco Ibáñez y la reinvención de la imagen peninsular post-1898

18 Friday, March 23, 2012 Diego Batista, Weber State University El mar como instrumento de lucha en La esperanza me mantiene (1959) de Pedro García Cabrera Andrew A. Anderson, University of Virginia Calligrammes + Expressive Typography: Ultra Intersections in Grecia (1919) 37. Hacia una lectura transatlántica del poema largo hispanoamericano Chair: Alan Redick, The University of North Carolina at Chapel Hill Student Union 3203 Adán Aragón, The University of North Carolina at Greensboro Noción del concepto de lenguaje en Primero sueño, Muerte sin fin y Canto a un dios mineral Gabriela Nall, The University of North Carolina at Greensboro El legado de Los contemporáneos Verónica Grossi, The University of North Carolina at Greensboro Desde la oscura orilla del sueño: transcurso y revelación en el poema largo hispanoamericano 38. Qué vemos cuando leemos?: la literatura como un espejo distorsionante de la realidad Chair: Michelle Gravatt, The University of North Carolina at Chapel Hill Student Union 3503 Juan Carlos Martín Galván, Stonehill College Discursos marginales: ciencia ficción en la narrativa española desde el siglo XIX Laura Arribas, University at Buffalo Ideal Pilgrims in the Camino: Visual and Literary Conflicting Representations Francisco Laguna Correa, The University of North Carolina at Chapel Hill Discurso, revelación y pathos en Amado monstruo de Javier Tomeo

19 Friday, March 23, Deceiving Appearances: Visual Duplicity in French Art and Literature from the Early-Modern Period to Romanticism Chair: Helen Matthews, The University of North Carolina at Chapel Hill Student Union 3205 Brian Johnson, The University of North Carolina at Chapel Hill The Double-edged Sword of Vision in the Poetry of Tristan L Hermite Biliana Kassabova, Stanford University Reading the ruins: Hubert Robert s La Grande galérie en ruines Alexandra Slave, University of Oregon La fusion ou la confusion des arts dans L Ouverture Ancienne de Mallarmé Wendy Wei, Case Western Reserve University Aestheticism as Religion in Charles Baudelaire s Les Fleurs du Mal 3:45 pm - 5:15 pm 40. Languages Across the Curriculum at UNC *Roundtable discussion Chair: Tanya Kinsella, The University of North Carolina at Chapel Hill Global Education Center 1005 Allison Bigelow, The University of North Carolina at Chapel Hill Julián Díez Torres, The University of North Carolina at Chapel Hill Inma Gómez Soler, The University of North Carolina at Chapel Hill Michael Rulon, The University of North Carolina at Chapel Hill Lorenzo Salvagni, The University of North Carolina at Chapel Hill 41. Images, Words, and Space in the Italian Ottocento and Novecento Chair: Angelo Castagnino, The University of North Carolina at Chapel Hill Student Union 3503 Roberto Risso, University of Wisconsin at Madison Al cadere d una bella giornata d aprile Immagini e parole in Massimo D Azeglio narratore fra romanzi, quadri e memorie. Maria Giulia Carone, University of Wisconsin at Madison La sintassi degli spazi e dell immagine in Blow-up: Antonioni nella prospettiva di Foucault

20 Friday, March 23, Painting Poems: Twentieth-century Spanish Poetry, Ekphrasis, & Visual Art Chair: Irene Gómez Castellano, The University of North Carolina at Chapel Hill Student Union 3206B Natalia Vara Ferrero, University of Chicago / Ikerbasque Poetas que cincelan la palabra: La indetenible quietud de Clara Janés Daphne Browning, Florida State University The Weeping Brook: The Ophelia Complex in Lorca s Poetry Christopher Oechler, Pennsylvania State University Paintings in Movement in Manuel Machado s Apolo 43. The Language Classroom: Threshold to the World Chair: Anastacia Kohl, The University of North Carolina at Chapel Hill Student Union 3206A Glynis Cowell, The University of North Carolina at Chapel Hill Redesigning Introductory Spanish: Transforming the Learning Experience Hélène de Fays, The University of North Carolina at Chapel Hill Bridging Continents and Students: Making the Most of the Study Abroad Experience Elizabeth Gunn, Morgan State University Quantitative and Qualitative Assessment: Minority Students and Study Abroad 44. Plagues throughout the Centuries in Hispanic Texts Chair: Juan Carlos González Espitia, The University of North Carolina at Chapel Hill Student Union 3203 Randal Garza, University of Tennessee at Martin Of Death and Decay: Fear as Source and Subject of Intellectual Discourse Philip Hollingsworth, The University of North Carolina at Chapel Hill Opiate Experiences and Modernity in José Asunción Silva s De sobremesa and José María Vargas Vila s Lirio negro Jodie Parys, University of Wisconsin at Whitewater Identity (Re)construction in the Face of HIV/AIDS: Self-Imposed Exile as a Journey of Self Discovery in Nelson Mallach s Elefante

21 Friday, March 23, Twenty-first-century Spanish Novel: Analyses of Society, Perspective, & Ways of Storytelling Chair: Ana Corbalán, The University of Alabama Student Union 3205 Neil D. Anderson, The University of North Carolina at Chapel Hill Riptide: Agency and Resistance in Denso recendo a salgado by Manuel Portas and Todo é silencio by Manuel Rivas Alain-Richard Sappi, Auburn University Mauricio o las elecciones primarias (2006) de Eduardo Mendoza: una mirada sobre la transición y la postransición democrática en España Nathan Richardson, Bowling Green State University Progression through Digression in the Contemporary Spanish-Language Novel and the Curious Case of Xuan Bello s Paniceiros 46. Visualizing Modernity: Shifting Perspectives in 18 th and 19 th Century French Literature Chair: Anne Steinberg, The University of North Carolina at Chapel Hill Student Union 3209 Diana García, The University of North Carolina at Chapel Hill Miroir, voyeurisme et expérimentation littéraire dans La Mouche du Chevalier de Mouhy Allan Life, The University of North Carolina at Chapel Hill Le temps est aveugle, l homme est stupide: Aimé de Lemud s Réduit de C. Frollo dans la tour Dany Jacob, The University at Buffalo Proust et la poétique du regard Darci Gardner, Stanford University Changing Reading Practices: The Visual Features of Mallarmé s Poetry 5:45 pm - 6:30 pm Toy Lounge, Dey Hall Refreshments

22 Friday, March 23, :30 pm - 7:30 pm Toy Lounge, Dey Hall 47. Keynote Address: Snapshots, Proofs, and Lithographs: Some Spanish Poets in New York Speaker: Christopher Maurer (books available for purchase) 8:00 pm Party at Professor Domínguez s House (Directions in Participants Folders) 9:15 am - 11:15 am Continental Breakfast Student Union :00 am - 3:45 pm Registration Student Union 2510 Saturday, March 24, 2012

23 Saturday, March 24, :30 am - 11:00 am 48. Visual Aesthetics in the Novecento: from Futurist Photography to Fellini Chair: Federico Luisetti, The University of North Carolina Student Union 3503 Nicole Gounalis, Stanford University The Dynamics of Representation: Italian Futurist Photography and the Montage Aesthetic David Cane, High Point University Prophetic Fellini: Harems, Priests and the Power of Showbiz 49. Literary Translation as Re-Visualization: un camino hacia la obra Chair: Grace Aaron, The University of North Carolina at Chapel Hill Student Union 3209 Michael S. Doyle, The University of North Carolina at Charlotte Eye, Ear, Feel, and the Translated Page: Re-Visualizing and Intuiting Voice in Cormac McCarthy s The Sunset Limited in Spanish Ruy Burgos-Lovèce, The University of North Carolina at Chapel Hill Science Fiction Text to Film Translation: Planet of the Apes Grace Aaron, The University of North Carolina at Chapel Hill Working Image by Image : Katherine Silver s Translation of La casa de cartón 50. South Meets North: The Cold-War Encounter of Latin America and the Soviet Union Chair & Respondent: Rafael Rojas, Centro de Investigación y Docencia Económicas (CIDE) Student Union 3206B Daria Sinitsyna, Universidad Estatal de San Petersburgo, Federación Rusa Sediento de más patria : la visión de Cuba/URSS en la poesía comprometida soviética y cubana Damaris Puñales-Alpízar, Case Western Reserve University Para una interpretación fenomenológica de lo soviético en Cuba: apuntes para un primer acercamiento Adel Faitaninho, Boston University La realidad irreal que vincula los continentes: el realismo mágico en la literatura rusa y latinoamericana