RECORDING TRANSCRIPT Scholarship Spanish (93007), 2014
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1 RECORDING TRANSCRIPT Scholarship Spanish (93007), 2014
2 Scholarship Spanish (93007) 2014 Recording Transcript Page 2 of 5 ENGINEER TRACK 1 NARRATOR Audibility Check. Please listen carefully to this introduction. This exam is Scholarship Spanish for Please raise your hand if you heard that statement. The Supervisor will now pause the recording to check that everyone has heard this introduction. ENGINEER PAUSE 5 SECONDS ENGINEER TRACK 2 NARRATOR Listen to the story of the creation of an artwork. You will hear the passage three times. The first time, you will hear the passage as a whole. The second and third times, you will hear the passage in sections, with a pause after each. While listening, make notes in the spaces provided. Your notes will not be assessed. Turn to page 2. You now have one minute to read Question One. ENGINEER PAUSE 60 SECONDS NARRATOR First reading Glossed Vocabulary READER 1 esbozo NARRATOR means draft ENGINEER LISTENING PASSAGE BEGINS ENGINEER LISTENING PASSAGE SECTION A READER 1 Pablo Ruiz Picasso nació en Málaga en octubre de Demostró talento para la pintura desde muy joven. Como andaluz siempre sintió una gran pasión por el toreo. A los 23 años se trasladó permanentemente a París donde en 1918 se casó con la bailarina Olga Clochlova. Más tarde, en 1927 conoció a Marie-Thérèse Walter con la que mantuvo una relación amorosa y con quien tuvo una hija en Poco después Picasso se enamoró de Dora Maar quien hizo las fotos del proceso de creación del Guernica y quien también contribuyó pintando las líneas verticales del caballo caído.
3 Scholarship Spanish (93007) 2014 Recording Transcript Page 3 of 5 ENGINEER FIRST LISTENING PASSAGE SECTION B READER 1 Esta obra de arte, se ha convertido en el símbolo de los terribles sufrimientos que la guerra inflige a los seres humanos. De hecho, no solo pone de manifiesto las ideas políticas del autor sino también quién es Picasso como persona en su día a día. Esto se demuestra en los ingredientes de la obra: el toro enorme, el caballo herido, la bombilla, la vela, tres mujeres, el bebé muerto, el puño socialista, la paloma, el guerrero caído... todos estos están llenos de significados más allá de lo inmediatamente evidente. ENGINEER FIRST LISTENING PASSAGE SECTION C READER 1 El nombre de la obra viene de la pequeña ciudad de Guernica, símbolo de las libertades vascas. Esta región estaba en contra del régimen fascista que había empezado la guerra civil en España. Con la ayuda de Alemania, Franco ejecutó un ataque aéreo contra la población de Guernica. Se tiraron más de bombas matando a personas e hiriendo a muchísimas más. Por primera vez en la historia militar, un poblado civil fue totalmente sometido bajo un diluvio de bombas. ENGINEER FIRST LISTENING PASSAGE SECTION D READER 1 La obra Guernica es un ejemplo sublime de la politización del arte, del uso de los pinceles como armas ofensivas y defensivas en la guerra. El arte moderno ya no solo transmite belleza. Picasso no quiere complacer al público sino que quiere llegar hasta lo más íntimo de la realidad, cueste lo que cueste. ENGINEER FIRST LISTENING PASSAGE SECTION E READER 1 En uno de los esbozos de Guernica hay un Pegaso, figura que representa el agua como símbolo de vida y así se ha considerado que Picasso quizá pensó que algo bueno podía haber salido de esta tragedia. En el cuadro final hay solo un agujero negro en el caballo. También podemos encontrar una estigmata, que es el símbolo de la crucifixión de Cristo, algo que quizá esté inspirado en la obra los fusilamientos del 3 de mayo creado por Goya en 1814, en el que el rebelde fusilado está en la posición de crucifixión de Cristo también. De nuevo Picasso nos recuerda que Guernica no es la primera acción terrible de la guerra. ENGINEER FIRST LISTENING PASSAGE SECTION F READER 1 Tradicionalmente, la luz es la portadora de la belleza. Aquí es el instrumento de la matanza siendo la bombilla quizá la representación de las bombas que cayeron o el avance tecnológico que puede convertirse en destrucción masiva. Al lado suya, la vela sostenida por un hermoso brazo. Las dos luces, la belleza y la destrucción juntas, combatiendo.
4 Scholarship Spanish (93007) 2014 Recording Transcript Page 4 of 5 ENGINEER FIRST LISTENING PASSAGE SECTION G READER 1 A pesar de que en la exposición de París no consiguió la reacción esperada, esta obra de arte es indestructible y logra un milagro que es que deja los sentimientos a flor de piel y nos hace salir de la rutina diaria. En 1941, mientras la Gestapo inspeccionaba la casa de Picasso en París uno de los soldados vio una postal con el cuadro de Guernica y le preguntó Has hecho esto?, a lo que Picasso respondió, No, lo hiciste tú. ENGINEER LISTENING PASSAGE ENDS ENGINEER PAUSE 10 SECONDS ENGINEER TRACK 3 NARRATOR Second and third readings, with pauses Section A ENGINEER REPEAT LISTENING PASSAGE SECTION A, PAUSE 30 SECONDS NARRATOR Section A again ENGINEER REPEAT LISTENING PASSAGE SECTION A, PAUSE 30 SECONDS NARRATOR Section B ENGINEER REPEAT LISTENING PASSAGE SECTION B, PAUSE 30 SECONDS NARRATOR Section B again ENGINEER REPEAT LISTENING PASSAGE SECTION B, PAUSE 30 SECONDS NARRATOR Section C ENGINEER REPEAT LISTENING PASSAGE SECTION C, PAUSE 30 SECONDS NARRATOR Section C again ENGINEER REPEAT LISTENING PASSAGE SECTION C, PAUSE 30 SECONDS NARRATOR Section D ENGINEER REPEAT LISTENING PASSAGE SECTION D, PAUSE 30 SECONDS NARRATOR Section D again ENGINEER REPEAT LISTENING PASSAGE SECTION D, PAUSE 30 SECONDS NARRATOR Section E Glossed Vocabulary READER 1 esbozo NARRATOR means draft ENGINEER REPEAT LISTENING PASSAGE SECTION E, PAUSE 30 SECONDS
5 Scholarship Spanish (93007) 2014 Recording Transcript Page 5 of 5 NARRATOR Section E again ENGINEER REPEAT LISTENING PASSAGE SECTION E, PAUSE 30 SECONDS NARRATOR Section F ENGINEER REPEAT LISTENING PASSAGE SECTION F, PAUSE 30 SECONDS NARRATOR Section F again ENGINEER REPEAT LISTENING PASSAGE SECTION F, PAUSE 30 SECONDS NARRATOR Section G ENGINEER REPEAT LISTENING PASSAGE SECTION G, PAUSE 30 SECONDS NARRATOR Section G again ENGINEER REPEAT LISTENING PASSAGE SECTION G, PAUSE 5 SECONDS NARRATOR This is the end of the Listening Passage.
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