1. Carlos Federico Sáez, Uruguayan, Oil on canvas 19 15/16 x 18 1/8 in. (50.7 x 46 cm) Malba - Fundación Costantini, Buenos Aires

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1. Carlos Federico Sáez, Uruguayan, 1878-1901 Madroños [Tassels] 1900

Xul Solar (Alejandro Schulz Solari), Argentinean, 1888- Troncos

Force] 1914 Charcoal on paper mounted on cardboard 22 1/16 x 18 7/8 in.

Emilio Pettoruti, Argentinean, 1892-1971 Armonia-movimiento-spazio

1 1. Carlos Federico Sáez, Uruguayan, Madroños [Tassels] /16 x 18 1/8 in. (50.7 x 46 cm) 2. Xul Solar (Alejandro Schulz Solari), Argentinean, Troncos [Trunks] 1919 Watercolor on paper 12 3/8 x 18 5/16 in. (31.5 x 46.5 cm) 3. Emilio Pettoruti, Argentinean, Vallombrosa /8 x 15 3/4 in. (50.5 x 40 cm) 4. Emilio Pettoruti, Argentinean, Forza centripeta [Centripetal Force] 1914 Charcoal on paper mounted on cardboard 22 1/16 x 18 7/8 in. (56 x 48 cm) 5. Emilio Pettoruti, Argentinean, Armonia-movimiento-spazio (disegno astratto) [Harmony-Movement-Space (Abstract Drawing)] 1914 Charcoal and pencil on paper 17 5/8 x 22 13/16 in. (44.8 x 57.9 cm) 6. Diego Rivera, Mexican, Retrato de Ramón Gómez de la Serna [Portrait of Ramón Gómez de la Serna] /8 x 35 1/2 in. (109.6 x 90.2 cm)

7. Emilio Pettoruti, Argentinean, 1892-1971 La canción del pueblo [Song of the

Rafael Barradas, Uruguayan, 1890-1929 Quiosco de Canaletas [Kiosk on Canaletas]

Beautiful Circus in the World] 1918 Tempera and graphite on paper 18 7/16 x 19

Joaquín Torres-García, Uruguayan, 1874-1949 Calle de Nueva York [A Street in New

2 7. Emilio Pettoruti, Argentinean, La canción del pueblo [Song of the People] 1927 Oil on wood 29 1/8 x 25 1/2 in. (74 x 64.7 cm) 8. Rafael Barradas, Uruguayan, Quiosco de Canaletas [Kiosk on Canaletas] 1918 Watercolor, gouache, and graphite on paper 18 1/2 x 24 7/16 in. (47 x 62 cm) 9. Rafael Barradas, Uruguayan, El circo más lindo del mundo [The Most Beautiful Circus in the World] 1918 Tempera and graphite on paper 18 7/16 x 19 5/16 in. (46.8 x 49.1 cm) 10. Joaquín Torres-García, Uruguayan, Calle de Nueva York [A Street in New York] 1920 Oil on cardboard mounted on canvas 18 1/4 x 22 3/16 in. (46.4 x 56.3 cm) 11. Joaquín Torres-García, Uruguayan, Calle 14 (ciudad de negocios) [14 th Street (City of Commerce)] 1920 Oil on board 19 11/16 x 27 9/16 in. (50 x 70 cm) 12. Emiliano Di Cavalcanti, Brazilian, Seresta [Serenade] c Gouache, chalk pastels, ink, and graphite on paper 17 1/8 x 13 1/8 in. (43.5 x 33.4 cm)

13. Emiliano Di Cavalcanti, Brazilian, 1897-1976 Cena de Rua

American in Paris 1929 29 7/8 x 39 in. (75.9 x 99.1 cm) 15.

1935 Black graphite on paper 21 7/16 x 29 5/16 in. (54.5 x 74.

Pedro Figari, Uruguayan, 1861-1938 Potros en la Pampa [Wild

3 13. Emiliano Di Cavalcanti, Brazilian, Cena de Rua [Street Scene] 1931 Tempera, ink, and graphite on paper 13 x 9 1/8 in. (33 x 23.2 cm) 14. Miguel Covarrubias, Mexican, George Gershwin, An American in Paris /8 x 39 in. (75.9 x 99.1 cm) 15. Tarsila do Amaral, Brazilian, Abaporu /16 x 28 3/4 in. (85.3 x 73 cm) 16. Amelia Peláez, Cuban, La costurera [The Seamstress] c Black graphite on paper 21 7/16 x 29 5/16 in. (54.5 x 74.5 cm) 17. Pedro Figari, Uruguayan, Potros en la Pampa [Wild Horses on the Pampas] c Oil on cardboard 24 5/16 x 31 15/16 in. (61.8 x 81.1 cm) 18. Armando Reverón, Venezuelan, Mujer desnuda leyendo [Nude Woman Reading] c /16 x 45 11/16 in. (78 x 116 cm)

19. Alfredo Guttero, Argentinean, 1882-1932 Anunciación [Annunciation] 1931 Plaster and

Joaquín Torres-García, Uruguayan, 1874-1949 Composition symétrique universelle en blanc et

Oil on cardboard 23 5/8 x 39 3/8 in. (60 x 100 cm) 22.

Sweater] 1935 Oil on burlap 42 1/2 x 36 5/16 in. (108 x 92.3 cm) 23.

4 19. Alfredo Guttero, Argentinean, Anunciación [Annunciation] 1931 Plaster and pigment on Celotex (fiberboard) 28 15/16 x 22 5/8 in. (73.5 x 57.5 cm) 20. Joaquín Torres-García, Uruguayan, Composition symétrique universelle en blanc et noir [Universal Symmetrical Composition in White and Black] x 24 7/8 in. (122 x 63.2 cm) 21. Emiliano Di Cavalcanti, Brazilian, Mulheres com frutas [Women with Fruit] 1932 Oil on cardboard 23 5/8 x 39 3/8 in. (60 x 100 cm) 22. Antonio Berni, Argentinean, La mujer del sweater rojo [The Woman in the Red Sweater] 1935 Oil on burlap 42 1/2 x 36 5/16 in. (108 x 92.3 cm) 23. Antonio Berni, Argentinean, Manifestación [Demonstration] 1934 Tempera on burlap 70 7/8 x 98 in. (180 x 249 cm) 24. Cândido Portinari, Brazilian, Festa de São João [Festival of St. John] x 76 9/16 in. (175.2 x cm)

25. Antonio Berni, Argentinean, 1905-1981 La puerta abierta

[The Nap and its Dream] 1932 20 11/16 x 27 3/16 in. (52.

Roberto Matta, Chilean, 1911-2002 The Disasters of Mysticism c.

Wifredo Lam, Cuban, 1902-1982 La mañana verde [The Green

5 25. Antonio Berni, Argentinean, La puerta abierta [The Open Door] 1932 Oil on cardboard 21 5/8 x 17 11/16 in. (55 x 45 cm) 26. Antonio Berni, Argentinean, La siesta y su sueño [The Nap and its Dream] /16 x 27 3/16 in. (52.5 x 69 cm) 27. Roberto Matta, Chilean, The Disasters of Mysticism c /8 x 51 3/16 in. (97.5 x 130 cm) 28. Wifredo Lam, Cuban, La mañana verde [The Green Morning] 1943 Oil on paper mounted on canvas 73 5/8 x 48 13/16 in. (187 x 124 cm) 29. Wifredo Lam, Cuban, Sin título [Untitled] 1944 Gouache on paper 39 3/8 x 27 9/16 in. (100 x 70 cm) 30. Héctor Poleo, Venezuelan, Tres figuras en marcha [Three Figures Advancing] /16 x 23 5/8 in. (70 x 60 cm)

31. Frida Kahlo, Mexican, 1907-1954 Autorretrato con chango y loro [Self-portrait with Monkey

Fernando Botero, Colombian, born 1932 Los viudos [The Widowers] 1968 75 x 77 in. (190.5 x 195.

Jorge de la Vega, Argentinean, 1930-1971 Try Again Oil, paper, fabric, and glass on canvas 51

Jorge de la Vega, Argentinean, 1930-1971 El diario de Santos L Ouverture [The Diary of Santos L

applications, and mirror on canvas 103 3/8 x 77 3/4 in. (262.5 x 197.5 cm) 35.

6 31. Frida Kahlo, Mexican, Autorretrato con chango y loro [Self-portrait with Monkey and Parrot] 1942 Oil on masonite 21 1/2 x 17 in. (54.6 x 43.2 cm) 32. Fernando Botero, Colombian, born 1932 Los viudos [The Widowers] x 77 in. (190.5 x cm) 33. Jorge de la Vega, Argentinean, Try Again Oil, paper, fabric, and glass on canvas 51 3/16 x 76 3/4 in. (130 x 195 cm) 34. Jorge de la Vega, Argentinean, El diario de Santos L Ouverture [The Diary of Santos L Ouverture] 1964 Oil, glued cloth, frottage with oil pastels, stencil, acrylic and wood applications, and mirror on canvas 103 3/8 x 77 3/4 in. (262.5 x cm) 35. Antonio Berni, Argentinean, La gran tentación, or La gran ilusión [The Great Temptation, or The Great Illusion] 1962 Oil, wood, burlap, canvas, paper, ornaments, iron, cardboard, plastic, glass, glue, lithographic image, and feathers on plywood 96 7/16 x 95 1/16 in. (245 x cm)

36. Ernesto Deira, Argentinean, 1928-1986 Los premios [The Awards] Oil and enamel on canvas 76 3/8 x 102 3/8

Jorge de la Vega, Argentinean, 1930-1971 Music Hall Oil, painted image, poker chips, metal, paper and

Antonio Seguí, Argentinean, born 1934 Yo no soy buena moza [I am Not a Good Looking Girl] Oil, enamel,

Antonio Berni, Argentinean, 1905-1981 La hipocresía [Hypocrisy] From the series Los monstruos del infierno

7 36. Ernesto Deira, Argentinean, Los premios [The Awards] Oil and enamel on canvas 76 3/8 x 102 3/8 in. (194 x 260 cm) 37. Jorge de la Vega, Argentinean, Music Hall Oil, painted image, poker chips, metal, paper and stickers on canvas 102 3/8 x 76 3/4 in. (260 x 195 cm) 38. Antonio Seguí, Argentinean, born 1934 Yo no soy buena moza [I am Not a Good Looking Girl] Oil, enamel, bitumen Judaicum, and collage on canvas 70 7/8 x 118 1/8 in. (180 x 300 cm) 39. Antonio Berni, Argentinean, La hipocresía [Hypocrisy] From the series Los monstruos del infierno se disputan a Ramona [The Monsters from Hell Fight over Ramona] 1964 or 1965 Wood, copper, iron, bronze, nickel, plastic, glass, canvas glaze, acrylic paint, and synthetic hair 78 3/8 x 45 11/16 x 91 5/16 in. (199 x 116 x 232 cm) Colección Inés y José Antonio Berni On loan to since 2003

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